On Disassociation

There was a bit of controversy in my field of vision this weekend. No, it wasn’t my nemesis disparaging a group of people after being told that a term he used was a horrible slur. The controversy cropped up on Doug TenNapel’s online comic, Ratfist. I’d say exactly what went down, but according to my Twitter feed, that’s already been covered in multiple locations with a variety of interesting and colorful terms thrown into the mix.

But, if you want to see it from the source, check out page 99 in the comic and then frolic down to the comments section; be warned: it gets kinda heated in there.

Back? Cool.

So, clearly, there are many ways to take the creator’s comments as well as other commentors’. I had my own knee-jerk reaction that peppered my facebook page and twitter feed, but I reined it in a bit because, hell, I compared Eric Cantor to C’thulhu a while back, so I don’t have much in the way of room to talk.

Anyway, it go to the point that Jon Lim and I actually started talking to the dude on Twitter. (Yes, my friends, that deserves italics. I tweeted to the guy who created Earthworm Jim.)

A famous person acknowledged I exist!!!!

It was a really, really cool few minutes, and I was geeking out pretty hardcore – built on by my juggling of Fallout: New Vegas at the same time. Nothing particularly substantial was said, and I’m sure we’re just another couple voices in the crowd, but as it went on, Jon mentioned “disassociation” after TenNapel brought up a blogger writing about boycotting his work after having posted about listening to Wagner and watching Polanski films.

And that’s what started me thinking about it’s incredibly hard sometimes to separate the artist from the art. It’s like all of the Mel Gibson insanity that keeps cropping up every couple of years. The man is obviously a well of interesting insults, and a lot of times, the question crops up about whether people should keep giving him money. (Or, in other words, people start talking about a boycott.)

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