Orks and Poets

People like to tout about Nietzsche quotes as if the guy weren’t a prolific author who, by virtue of having a staggering mind, often contradicted himself. His philosophy is something much different from Plato’s “THE ONLY WORTHY GOVERNMENT IS ONE BY A PHILOSOPHER-KING!” N’s philosophy is a bit more like a labyrinth – twists, turns, and, at the end (if there can really be an end to a philosophy), a pretty big reward for gathering some meaning from it. Leaving the maze, if we’re keeping to the metaphor.

But I’m not here to post about Neeters (as his friends called him) in a general sense – I’m talking about one quote in particular – that one about how the act of creating requires inner conflict. Or something like that – the thing about quoting translations is that you run into different wordings of the same thing. Still, you know what I mean.

In my experience, the sort of people who like to use that term aren’t so much writers as fans of Nietzsche. They populate vast tracts of writers’ workshops, churn out long treatises about the shallowness of modern living, wear black, and, on the side, read a lot of Gore Vidal and Noam Chomsky. You may have had some interaction with them in the classroom, thought about how strange it is that they never really write anything, and then – a couple of years later – meet them in a coffee place.

“Hey man,” you say, expertly hiding the fact that you hated them two years ago. “How’ve you been doing? Still writing?”

The answer is almost a universal constant. “No. There just wasn’t anything happening anymore.”

Or something to that effect. You may get something like they could never get published – or they found their true calling in video installation art – or they started writing [shiver] poetry. Whatever the case, it’s no big loss to the world of words. There are entirely too many writers and magazines out there who focus on the same old tired exhausted sighs resulting from the sudden realization of the vapidity of modern life. That retail is (shocking) not perfectly compatible with their dreams.

Look, I get it. It’s retail. You’re not getting paid a fortune to sit around, look bemused, and jot down the occasional paragraph of Franzen-clone fiction. I’m not a fan of it either. But, again, this isn’t what this post is about.

This post is about The Process.

The people who write about the vapidity of modern life don’t get The Process. (Okay, there are some that do. There are some whitewashed-MFA-fiction writers out there who really treat writing like it’s a job. But I’m not attacking them. I’m attacking this totally fictional strawman.) They’ll throw the Nietzsche quote out there – and others like it – like it’s an excuse for not writing, or not working on the [shudder – I hate this word] craft.

Writing is a brutal process. It’s on par with Zen training. To be a writer means that you have to strip your ego down to its bare essentials – you have to understand what makes you you. No, I don’t mean that you go around saying “I am an Author;” I mean you understand yourself at a base level – in a way that a lot of people will never approach. You have to destroy the ego and uncover the self.

If Zen is sitting around, staring at a wall in the hopes that, some day, you’ll get to grasp what it all is, then writing is the same thing, but with a keyboard and a red ink pen instead of a zendo. You’ve gotta be in tune with yourself, know how you think, know what makes you tick, and you have to make that jive with the language of everyone else. That sounds weird, I know. Who doesn’t know who they are? Who doesn’t express that in their daily lives?

You probably know plenty of people who don’t. That guy who’s all smiles, firm handshakes, and white teeth – but, at some level, you can tell that something is off about him? There’s just some thing that makes you you shiver when thinking about the dude, or just interacting with him. Like a less-stabby Patrick Bateman. For whatever reason, he’s the kind of guy I’m talking about.

What I’m getting at is you have to get over the idea that writing is contingent on chaos. Because it’s not. Writing is a job like any other, and, like any other job, if you’re going to perform on a consistent basis (however you want to define that), then you’ve gotta have stability. There’s a reason Keruoac never wrote while he was on the road. Or why Stephen King (yep, him again), keeps a ridiculously strict schedule, why Dickens went on nearly cross-country walks.

They built themselves a regimen, kept to it, and produced. It’s nearly the complete opposite of chaos, isn’t it?

Let’s also not forget that – yeah, he may have written fiction, but Nietzsche was a philosopher and not an author.

Part of me wants to wrap this up with a summary – or something bordering on a moral – but I don’t think I can. I mean, I’ve still got plenty of undisciplined days. (Especially now that I’m job hunting as a full time job instead of being able to get into the office early to work! [That, of course, is an excuse. One that I really need to ditch.]) So who am I to tell you all of this? Who am I to tell you that you’re doing it wrong?

No one.

You shouldn’t really listen to me about this stuff – unless you’re desperate. (Or looking for an editor!) Part of the awesome thing about being a fiction writer is making your own rules. Many people can’t write in the morning. That’s when I get my best work done. A lot of people can write in groups. I can’t; that’s when I start talking to people about books or video games. A ton of people take part in Friday Night Writes, which breaks both of my above rules.

So, find your way, but if you’re going to listen to anything I think, you should hear me when I say you need to develop a system. Chaos is only good for Orks and poets.

Portland and Whitman

It’s been a crazy summer. After a lot of soul-searching and debating, I decided to quit my job at GNRC and move out to Portland, Oregon. GNRC was very good to me and, though the never-ending clashes with TennCare and the Department of Human Services were truly mind-numbingly mental, I don’t think I can say anything bad about the administration at GNRC, or my supervisor and coworkers. All were great to work with and – probably due to the nature of their work – amazingly supportive and all-around cool people.

But to every thing there is a season, and after three years, I decided that I needed to grow some more – in writing, career, and general self. So, I decided to follow the greatest American tradition of them all and pack up shop and move West. (Kind of. I’ve still got a bunch of stuff in storage in Nashville.)

Along the way, I stayed with family in St. Louis, MO and Grand Lake, CO. I stayed with a friend in Colorado Springs, CO. I stayed at a Best Western in Boise, ID where I probably drank an entire pot of black coffee before leaving. Colorado is an amazingly beautiful state and, more than once, I thought about just stopping there and trying to find work in Denver. I mean, it’s… well, you need to go.

But anyway, I headed West again and finally arrived in Portland. I stayed with my buddy, Jon Lim, for a few days and then found a room for rent in a small but nice house in a leafy, quiet neighborhood. There’s no internet at the house, but, all things told, that’s probably not the worst thing. I mean, I’m going to have to get Internet access at some point, but that’ll wait until I get my job situation sorted out.

Which brings me to the real fun, introspective stuff! I’m trying to get a foot in the door in the tech sector, bringing my pretty decent knowledge of HTML and CSS, along with my intermediate-I’ll-need-some-reminders knowledge of Ruby and Rails, and then my I-can-print-“Hello World” knowledge of Javascript. Portland’s a great town for that, and I’m excited about some opportunities with New Relic, and then some open applications with Simple, Urban Airship, and a couple other places. (The list will no doubt grow as the week progresses.)

AND THEN, I had the honor to work on Katie Hogben’s book for a musical-in-progress. It’s based on a Robert Louis Stevenson short story, and I have no doubt that you’ll be seeing it in the West End and Broadway soon enough. Of course, by “work on,” I mean I provided some editorial assistance, finally putting to work all the workshop experience I’ve accumulated at UT, UKC, and elsewhere. And, wouldn’t you know it, it’s been invigorating. I’ve always known that creativity is the best way to keep myself in good spirits, whether it’s writing my own fiction, editing others’, or working on a movie –  but sometimes, it’s good to remind yourself of that.

Which brings me to one of the major ideas I had recently. My buddy, Jeff Chiu, the Man With Firey Fists, recently nabbed a sweet room in a cool flat with Sione Aeschliman, editor, writer, and owner of one of the most charmingly neurotic dogs I’ve ever come across. I met up with the two of them yesterday – Sunday – for brunch at a place called The Songbird Cafe (please, hold the Bioshock Infinite jokes) and briefly discussed – among other things – what it takes to be a freelance editor.

Well, I know I’ve got the technical chops for it. So I thought about it, and realized that, hell, I’d been thinking about doing that as a side gig for a long time, so screw it – why not? So I’m going to take a look at the start-up costs for an LLC in Oregon and post my sign for some freelance work while also getting work (I mean, it’s a given, right?) in the tech sector.

So, why am I even looking for work in the tech sector? Why not just pursue editing full-time? Well, because I really do love me some programming. I was talking to a friend about it one day and brought up the stunning realization I had that, one night, I found myself working on a website at 11:30pm when I had work the next morning. I mean, that doesn’t happen. Even my fiction is highly scheduled to only be written in the early morning, so this new development shocked even me!

So, I’m sitting here in a strangely warm cafe called Stark Street Station, drinking some fine, locally roasted coffee, listening to my Tom Waits Pandora station and it’s hitting home: If nothing else, I’ve at least made it this far. I’ve gone and attempted the move to a pretty straight-up different town, am trying to find work outside my comfort zone, and, despite the occasional intrusive thought boiling up from the depths of my brain, I feel pretty good about it.

I think of the line from one of Brad Warner’s books that says something to the effect of: Take a look at your life – wherever you’re at, that’s where you really want to be at that moment.

I also think of this bit of Walt Whitman:

“Long enough have you dream’d contemptible dreams,
Now I wash the gum from your eyes,
You must habit yourself to the dazzle of the light
and of every moment of your life”

Adventures in Coding, Pt. 2

My last post about my coding adventures was destroyed by my negligence. Let’s hope this doesn’t suffer the same fate.

So last night, since I was able to work on the computer without a stormborn power outage, I fired up the second lesson of my Ruby on Rails class. The first lesson was centered around generating a new app, which led into a breakdown of all the bits and bobs of Ruby – gems, gemfile, some brief examples of code, all that stuff – as well as the essentials of uploading app frameworks to GitHub and Heroku.

The second one is building pages.

HTML and CSS, as I was telling someone, rely a lot on creating pages and stylesheets as if they are each different documents. Essentially, that doesn’t change with Ruby, but Ruby makes it a lot more convenient – and fast, I think. Whereas in HTML and CSS, I’d find myself opening a new document in Sublime Text, then editing it through that, and saving it as either .html or .css, Ruby has a command:

[current directory] $user generate controller Pages [name of page]

So, typing that into Terminal gives you a shiny, new, blank html page to work with. After editing the pages controller file in the database – changing definitions and actions so the app directs to the correct pages – you can have a url point to “home” rather than “home.html”.

This makes me grin. I don’t know why – exactly – but I had wondered why some pages allow that to work without a file extension, whereas others don’t. And it’s all through the power of Ruby. [Collective “Ooooh” and “aaaaah”]

Further, all the messing around with copying and pasting navigation bars, logos – well, everything that’s not the page-specific content, really – can be accessed using partials. Partials are bits of code that look like:

<%= render ‘[containing folder/filename (i.e. ‘header’)]’ %>

What that’s doing is telling the page to render a certain bit of code at a certain location, and spit that out on a page. You do that by putting the above code on a layout page, which controls the default view of every page.

Everything that’s not defaulted into a page is plopped into that layout by

<%= yield %>

From what I saw last night, that looks like it’s included by default when you generate a new page controller. But if you’re reading this, and you know that’s wrong. Let me know!

So, basically, all you have to do when you generate a new page is write in the HTML for the content of the page.

My God, it’s so easy!

(That said, I think I’ll still keep using <a href=”…”></a> for links. <%= link_to ‘…’ ‘…’> just feels wrong.)

Of course, there are the details to work out, like defining the pages and controllers, and all of that, but man. I get why people scoff at Ruby, but it seems like doing so would be like looking down on people for driving a car when they could be riding a horse. (Or flying across the country when they could be driving…)

So excited, you guys! Just wish I could rewatch these videos to hammer in the ideas, but nooOOoOOooOOooOOo. I should be working. Thanks, The Man.