Archive
How I Became A Famous Novelist
Welp, just finished a second review for Bullet Reviews. I’ve been told that I need to review Twilight, so I’m going to brave the Hell of actually doing it and balance out all of the positive reviews I’ve been doing the past few weeks.
Why Deadpool is Great, or, Aaron Tries to be Michael Chabon

This guy is the way forward.
I recently read Maps and Legends by Michael Chabon. The book is a series of essays on genre fiction, and how that’s not a dirty thing. A couple of the essays (“Kids’ Stuff” and “The Killer Hook: Howard Chaykin’s American Flagg!”) deal specifically with comics, and Chabon—a geek if I’ve ever read one—has a whole hell of a lot to say about comics as entertainment as literature. More said from more experience than I have. So, what I’m going to do is something slightly different.
I don’t think there’s a single person I know who takes comics as seriously as the clichéd comic book nerd. Even my most comic-ridden friend can take the piss out of the institution. (Usually directed at Marvel’s Stan Lee, fist in the air, shouting, “Gamma rays!” “Radioactive spiders!” and “Excelsior!” in a saliva-ridden voice.) That said, those friends of mine who have read graphic novels or comic books will tell you that there is vast potential for the genre to be just as literary as, say, 1984—largely thanks to that crazy man, Alan Moore. With the growing amount of films adapted from graphic novels and long-running comic series, the art form is entering the mainstream, but there are still plenty of things that scare off the normal folk from going into a comic book store and picking up an issue of a major title. So, in a roundabout way that’ll eventually lead us to what the title of this thing is talking about, I’m going to give my thoughts on why this is.
Bullet Review – Risk
Ever wonder what the chances are that you’ll be killed by terrorists? Turns out they’re less than you smothering yourself in your sleep.
Also, the media is full of crap, but you knew that. As book reviewer of a small website, I’m fortunate enough to be able to choose books that interest me as subjects. For a couple of weeks, I’ve been looking at a book called Risk by a Canadian journalist named Dan Gardner. It’s about all the lovely ways the media and politicians capitalize and increase fear to save their own skins–and how people tend to react to such things so as to fuel the fire.
Check out my review, but, even better, go pick up the book and enlighten yourself. It’s about the least you can do.
Gilles Glod and Iron Man
Gilles Glod is a friend of mine from an incredibly small country called Luxemborgialand. He’s a great photographer, shot The Attack of The Weretimberwolf-Hybrid, and refused payment when I tried to give him money. Hey, whatever, his loss.
Anyway, soon after I finished playing around in Fiddler On The Roof, he asked me if I wanted to model for him. I’d be helping him with a contest about rejected movie posters, and, what’s more, I would be playing Tony Stark and The Silver Surfer. What self-respecting nerd would say no? Anywhat, this is the end result, and, though he didn’t end up winning the contest, we both learned something: The organizers of the contest are troglodytes for not truly appreciating the insanity.
The Vampire Corps
Because I compulsively write, I churned out the sequel to The Attack of The Weretimberwolf-Hybrid in a few days.
It is a simple story: In the wake of the Weretimberwolf-Hybrid’s release into the United States, the beast has begun killing everyone in sight. Faced with failure, General Falcon has committed suicide and 5-Star General Hawker has gone insane.
The case was turned over to a special NATO tribunal made up of two mysterious generals named Penguin and Pelican, who convince Hawk to unleash another secret weapon: The Vampire Corps. But can the blood suckers be trusted?
This, of course, falls under the realm of stuff I’d really like to make.
The Adventures of Cloyd Blank

This is an artist's representation of what Apple would look like. (From <http://www.wrensoft.com/zoom/demos/fruitshop/images/red-delicious-apple.jpg>)
So. The Adventures of Cloyd Blank is the first novel idea I’ve had where I’ve had the audacity to actually plan something out. Usually, I start a novel or a short story and just go with the flow. But for this project – and I can remember the exact moment it all hit me – I knew what was going to happen when.
See, I was sitting in a class called American Naturalism/Realism. We were reading The Adventures of Huckleberry Finn. This was about the fifth time I’ve read the book, so my mind started wandering when the topic of racism inevitably came up and the professor – a really nice Irish guy – started getting attacked by a couple of the African-American students for making a joke. Anyway, I started thinking about a conversation a few friends and I were talking about dealing with our ancestors. According to one of them, his last name, Null, came from his grandfather being abandoned on a farm and the Census taker arbitrarily giving him that name. (It’s really a curse, since Jake couldn’t register for accommodation without crashing the computer network.) So, I started thinking, “What if this guy had it much worse? What if there were a modern Huck Finn involving everything I hate about society?” Essentially, I set out to be Mark Twain for a little while.
It turned into what you’re going to read – well, kind of. You’re only going to be reading the first couple of sections. Sorry about that, but it’s still in progress and, once again, I’m going to try to sell this thing. Enjoy.
The Tea Party

They always fail to mention that people like Samuel Adams were certifiably insane.
Now, I’m not trying to make the case that Teddy Roosevelt was the best President we’ve had. As far as I know, he ranks in the top ten—got his face on a mountain, after all—but I’ve always been a bit antsy when thinking about that mad charge he led in the Spanish-American War. Balancing that out, you’ve got the sense that here was a man who believed in the ability of the population to know what’s right, and the government’s facility to be an agent to ensure that what’s right gets done. After all, he led the Progressive Party—the only third party since the Whigs to get near to winning the Presidency.
He was an outstanding man in every sense of the word. He spoke out for what he believed, acted as if he believed it, and, even after a failed assassination attempt on his life, did everything he could to get his message across. Of course, anyone with the most basic knowledge of the history of American government will be able to tell you that, after leaving the Republican Party, he didn’t succeed in regaining the Presidency; this was due to the main stain of American politics: the political party. Roosevelt counted on his former allies to back him, even though he no longer held the banner.
They let him down, and Roosevelt lost in the elections. (Of course, he still led a pretty damn cool life of adventuring around wherever he could.)
But the thing about this latter part of his political career that we should recognize is that, when the system didn’t jive with what he believed, Roosevelt took the initiative and formed his own party separate from the Republicans and Democrats. He didn’t just talk about the detrimental effects of graft and ineptitude, he did something about it—or, at any rate, tried to.
When I read the news online over here in what some dub Enlightened Europe (the expulsion of Roma in France, as well as some xenophobic policies towards that same group in Italy make me doubt the veracity of that nickname—as do plenty of the policies of the Lib Dem-Conservative coalition in England), I can’t help but be infuriated by what I see about the Tea Party. The media is quick to make the point that a “Tea Party candidate” won this post or that post from an incumbent, that this is the new, grassroots organization. And, yes, I must concede that these people have been elected because they were riding the waves of the “Tea Party.” But, come on, how many people are actually fooled by that name?
Clowns and Swords

Not quite what I had in mind. From
In my last semester at the University of Tennessee, I took a course in screenwriting. It was one of the best classes I took, mainly because the professor pushed students to do an insane amount of work. You know, it was a constructively pressure-filled atmosphere, if that makes sense.
Part of the insane amount of work was the requirement of churning out a scene (read, about a page’s worth of material–any more than that and Dr. Larsen would go apeshit and scream, “No, no, no!”) three times a week and turning it in, so that he could go over it about six times with six different colored pens. Yes, I know, this makes him seem completely insane, but it was a great, great way to learn about writing screenplays. Nothing like abject terror and multiple colors of ink to push you to excel.
One of the assignments was to create a scene that used a montage. I have no idea how I came up with Clowns With Swords as a premise, but, hey, caffeine does amazing things to my brain.
And, as with everything tossed into the Scripts and Simontek Studios category, if I ever had the opportunity to film it (and direct it, since in the words of an agent at the place I’m interning at, “screenwriters get shit on”), I’d be all over it.

